Angela and Joshua interview Adam Eccleston, internationally renowned flutist and Chair of All Classical Portland’s “Recording Inclusivity Initiative (RII).” Drawing upon his Caribbean heritage and desire to program and perform works by composers of African descent, Eccleston details the origins and process of the RII, a collection of never-before recorded compositions from the African diaspora now made available to radio stations and media outlets the world over in October 2022 via All Classical Portland.
“Sonata for Flute and Piano (mvt 1),” by Coleridge-Taylor Perkinson, feat. Adam Eccleston on Flute
“Taking Names,” by Jasmine Barnes feat. Karen Slack
“Spark and Glimmer,” by Lauren McCall
Angela Brown (00:08):
Hey, y’all. We’re back with another intriguing episode of Melanated Moments in Classical Music. I’m your co-host Angela Brown.
Joshua Thompson (00:18):
And I’m Joshua Thompson. Now, Angela, I understand that today we are highlighting an organization that really wants to help carry the torch that lights the way to all things classically black in the industry. Am I right or am I right?
Angela Brown (00:33):
You are right, Joshua. Today we have with us Adam Ecceleston, Chairman of the new recording initiative that All Classical Portland is spearheading to change America’s playlist when it comes to black classical music. And he is here today to tell us all about the exciting new recording project to hit the airwaves in October of 2022.
Joshua Thompson (01:02):
I am so excited to hear all about the mission of how All Classical Portland will help our listening audience and others be able to experience more black classical musicians. But before we speak with Mr. Eccleston, could you tell us a little bit more about ’em?
Angela Brown (01:18):
Of course I can. You know, Adam Eccleston is an accomplished flaustist of international renown dedicated to promoting diversity and equity in classical music. Adam draws musical inspiration from his Caribbean and Bahamian heritage. He works extensively with MESDA Group a non-profit organization active in underdeveloped countries around Central and South America and the Caribbean Islands. Adam serves as the director of orchestras at Bravo. Adam is also a host at All Classical Portland. Adam was All Classical Portland’s 2020 and 2021 artist in residence. Everybody please welcome Adam Eccleston to the Melanated Moments in Classical Music family.
Adam Eccleston (02:19):
Oh, it is a complete, complete pleasure and an honor for me to get a chance to talk to Joshua and get a chance to kind of Kiki with my auntie.
Angela Brown (02:29):
Yes, Baby [laughter]
Joshua Thompson (02:32):
She auntie to everybody. So, so Adam, let’s just jump right on in. Could you tell us and our listening audience about All Classical Portland’s Recording Inclusivity Initiative, how it came to be, what it’s all about and, and what your role is with the initiative itself?
Adam Eccleston (02:50):
Absolutely, So it started with a phone call from Suzanne telling me that she would like me to be, uh, the artist in residence for All Classical Portland.
Angela Brown (03:04):
Now, who is Suzanne baby?
Adam Eccleston (03:06):
Suzanne Nance is the CEO and President of All Classical Portland.
Angela Brown (03:11):
Adam Eccleston (03:12):
And, um, yeah, So when we talked on the phone, I told her things that, um, I would like to do in the future, music wise and one of them being I wanna promote more music by black and brown composers.
Angela Brown (03:27):
Adam Eccleston (03:28):
You know, myself being of Caribbean descent, my family, uh, left New York when I was about nine years old and we moved to Germany.
Angela Brown (03:39):
Adam Eccleston (03:39):
So I was embraced with all this incredible classical music, uh, but no one was black, nobody looked like me. So, the main thing is that, um, I told her that I really wanted to play more music by a black and brown composers. And she told me that, Well, that’s exactly one of the missions that I want to do. So that’s kind of how RII started.
Angela Brown (04:04):
Can you tell us then, how, you’ve had the brain child, how are you gonna fund it? How does it get its money to do what it’s going to do?
Adam Eccleston (04:19):
To do what it’s going to do, and it is not cheap [laughter], one of the main things is, is having people hear what it is that we want to do. And because it was something that was new, that hasn’t been done, it was a little bit easier to get it funded. So we went, of course, the route of corporate route and we also went a route of, of individual donors. So it did take us a while to kind of get the funds going, but once we got, uh, a good amount of money for the project, we went ahead and started, uh, finding what type of performers we wanted and studio time and piano and all those different type of things.
Angela Brown (05:03):
Okay. So exactly when did this start? When, I know there was the brain child, but when did you actually start getting the funding and all of that? When did that actually start to roll in?
Adam Eccleston (05:14):
So that was pretty early on and that was right around the pandemic. So I think I would say around 2020, around then, uh, just kind of having the idea and just that alone, people were ready wanting to give money because it was new, something that hasn’t been done before
Joshua Thompson (05:36):
And, and you’ve really, like, you, you were striking while the iron was hot, Right? I mean, we have Yeah,
Adam Eccleston (05:41):
Joshua Thompson (05:42):
The year that’s 2020 pandemic, so like careers for performing artists are like, shut down. We have an immense amount of social and racial unrest and this call to promote black and brown. And so I think that’s really smart. So you start with the funding and then you get, there’s all this music, right? The repertoire of black and brown composers is huge. So for the music that you’re gonna record, how did you even begin to figure out what are we gonna keep? What are we not, how do you include all the music to be recorded for this project?
Adam Eccleston (06:18):
That was, I think, one of the longest processes and, and we had to, I mean we had, uh, librarians and historians involved in this process. People from different parts of the world involved in this process. Uh, so Oxford University, I mean from all over and trying to find music that hasn’t been recorded. And the thing is that what was the hardest part is it was harder just get access to that music. And it just wasn’t actually a huge list of, of pieces that hasn’t been recorded by black and brown composers. So it might sound that there was a plethora, but honestly there wasn’t, there wasn’t a plethora and just trying to pick from, uh, from the pool that we had, which was an incredible pool. It just wasn’t as much as we thought. So we thinking that, oh, it’s going to be, we’re gonna have to choose from 80 plus pieces and, and 80 plus composers and that wasn’t the case. So we actually had to go to different, um, historians and, and librarians and different folks who are in, um, in that scene to try to find, uh, uh, composers that whose music has to be recorded. That was actually the hardest part, was actually trying to find, it wasn’t a lot of information out there. So within the pool that we had, um, it was really astounding. And, and one of the parts that, um, I played, um, a big role in is, is bringing in, um, Coleridge Taylor Perkinson. I came across this piece, uh, about a year prior to, uh, to the initiative. And I was gonna put it on a program recital that I was doing here, but I didn’t have enough time. And during the time I was learning music, I said there wasn’t any recordings, there was nothing. I couldn’t find anything.
Angela Brown (08:15):
Adam Eccleston (08:15):
So I said, Well what about this piece? So then we did all this research and tried to find to see if it has been recorded and it hasn’t been recorded. So it was amazing to be able to be part of, of, of that history to record this flute sonata by Coleridge Taylor Perkinson that has never been recorded.
Angela Brown (08:34):
Well, let’s give it a listen right now. This is a great point to listen to one of the pieces that will be included on the recording. Am I correct?
Adam Eccleston (08:44):
Angela Brown (08:45):
It just so happens to be you, Adam and [laughter] and our featured artists on this recording, It’s movement one from the Sonata for Flute and Piano by Coleridge Taylor Perkinson.
Music Plays (08:58):
[Sonata for Flute and Piano (Mvmt 1) by Coleridge Taylor Perkinson]
Angela Brown (14:37):
Baby. So, Woo. I love that.
Joshua Thompson (14:41):
Give, give me a moment. This is absolutely stunning. So I have to say, Adam, uh, I started following you maybe about a year and a half ago, and I love it cause like, morning, noon or night. I can always get a, a nice little flute etude on Instagram on your videos cause they’re fabulous [laughter]. The voicings are just absolutely stunning. You give us the high stunning lows, the richness in between. Here’s my question because as a pianist, that piano part is no punk, Who is accompanying you on that? Because what a wonderful music relationship.
Adam Eccleston (15:14):
Monica Ohuchi, Monica Ohuchi, and she learned that music.
Angela Brown (15:20):
All right, Miss Ohuchi.
Adam Eccleston (15:20):
Incredibly quickly, and
Angela Brown (15:23):
You doing it girl,
Adam Eccleston (15:24):
The magic, the magic. That first rehearsal, I was like, uhhuh, Oh yeah.
Angela Brown (15:31):
It’s nothing like finding someone that you just gel with and you just sink in and it just, magic happens. But I wanna know now, honestly, I had never heard of Coleridge Taylor Perkinson, um, and I know he recently, within the last few years passed away.
Adam Eccleston (15:51):
Angela Brown (15:51):
How did you find his music?
Adam Eccleston (15:53):
So, uh, that’s a great question. I wanted to do a recital that was of just sonatas, of only Flute Sonatas, uh, by black composers and this one came about. So I didn’t really know his music before. And this was actually written for Harold Jones, the wonderful legendary flutist, Harold Jones. They were both really good friends in New York and worked together at the conservatories in New York. So they were actually quite a few pieces that, um, Harold Jones played that were written for him, uh, by Coleridge Taylor Perkinson. So they’ve had a really strong bond. Now I came across Harold Jones many years ago, um, at a, a competition in New York, and he was, uh, one of the judges. And afterwards he came up to me and told me, um, how remarkable it was for him to hear me play and that he had high hopes of my future in this field. And I told him about how scared I was about being this black man in classical music that, you know, that wouldn’t be taken seriously and all that type of thing. And he took.
Angela Brown (17:03):
A big beautiful black man on top of that
Adam Eccleston (17:05):
[laughter] Thank you and he said that, you know,
Angela Brown (17:08):
Playing the flute, Yeah,
Adam Eccleston (17:10):
Right, right. Playing the flute of anything. Um, he did say that, um, that the way I played in the competition, he said that I have no doubt in my mind that you will succeed in this field and you continue to carry on the torch. So when I came that, that was years ago when I came across this piece and saw it was written for him, I said, this, this is an alignment. I was meant to play at this piece and record and be the first person to record this sonata.
Angela Brown (17:43):
Joshua Thompson (17:45):
Oh, that’s awesome.
Angela Brown (17:45):
Can you tell me how a radio station uses the database that All Classical is building for underperformed works to help diversify their playlists?
Adam Eccleston (17:59):
Yeah, so with that bit, I think that is the, the gem of this entire initiative, uh, because that database, we can just share that, that folder all that information, we can just share that with stations that want to do this, but they just don’t know how to start and where to start.
Angela Brown (18:15):
Adam Eccleston (18:16):
So this information packet is basically saying you start here, here’s the timeline, here is the amount of money that it could cost at at point A at point B at point C and by point D it should rack up upon this amount of money and it should have this done by this point. So it’s basically mapping out the entire thing so that there’s really no excuse.
Angela Brown (18:42):
There you go.
Adam Eccleston (18:42):
To why you can’t do it.
Angela Brown (18:43):
Don’t start, There won’t be none.
Adam Eccleston (18:44):
Angela Brown (18:44):
You’re not part of the solution, then you are part of the problem. Okay. And you guys helping the problem by offering a solution and you are doing the heavy lifting and sharing the wealth of your Labor Ta-boot.
Joshua Thompson (19:02):
That’s exactly it because, you know, Adam, there are so many organizations and even radio stations that are like, How do we, how do we, And y’all just laid out the entire blueprint for everybody. It’s like color by number, music by number, and I love it.
Adam Eccleston (19:18):
Adam Eccleston (19:19):
Yeah,There’s, there’s so many other pieces that we could and we’ll get to. So let’s listen to another piece on the soon to be released recording from All Classical Portland Recording Inclusivity Initiative. Now this is from composer Jasmine Barnes, and it’s entitled, Taking Names Sung by none other than Karen Slack.
Music Plays (19:52):
[Taking Names by Jasmine Barnes]
Angela Brown (24:34):
Now, you know, I remember seeing on Facebook Karen saying something about “Y’all, I got so much music learn” when I, and now I know what she was going through. That sounds like something from The Exorcist. [inaudible] And I’m like, You better go. [singing] You better. Oh, oh my goodness.
Joshua Thompson (24:57):
Yeah. But, but that’s what’s so, and, and I really encourage, cause I’m going to, our listeners put this on repeat. This is a whole word in a mix of words. We’ve taken the civil rights and the social justice movement of say their names and put the names in them to music. And it is as gorgeous as it is chaotic, as fluid as all get out. This is absolutely necessary music and literature. So thank you for putting it on this, this recording. This is fantastic.
Adam Eccleston (25:31):
Now, when I tell you when they said you think that black girl magic was a disappearing act, when I heard her sing that the first time I fell out, Okay.
Angela Brown (25:45):
Yes, Black girl magic
Adam Eccleston (25:47):
Joshua Thompson (25:49):
There is, I mean, and again, yet another reason, like, listen to this multiple times and really listen deeply, uh, cause this is the whole crux of the project. Like, we’re people, we live in a skin, we deserve the respect and yeah. So
Angela Brown (26:06):
Death and Barnes is the bagger.
Joshua Thompson (26:09):
Yeah, she is. I, you know, I do have a question because here’s a project that I really love that is so much bigger than yourself. It’s bigger than the Portland area. It’s for everyone and for that reason, I’m, I’m interested how many stations are currently using this or are starting to tap into All Classical Portland’s Recording Inclusivity Initiative?
Adam Eccleston (26:34):
Well, I don’t know the exact number, but I, what I can say is a lot of the stations on the East Coast are eating this up. A lot of the stations in the Midwest are eating it up. A lot of the stations on the West Coast is eating it up. And I think, you know, there, there is no excuse now, there is no excuse. That we, we are giving it to you. So all you have to do is just do it. And it just takes time and money, but time. And the money part, people want to get things like this. People want to give to initiatives like this because they know that it is bigger than us. It is bigger than now. And people want to see, uh, this message live on forever.
Joshua Thompson (27:23):
And that’s the return on your investment, right? Like you’re giving to something that you,
Adam Eccleston (27:28):
There you Go
Joshua Thompson (27:29):
Continue to reap the benefits from for years and years and years to come.
Angela Brown (27:34):
Generations and generations
Joshua Thompson (27:34):
Adam Eccleston (27:36):
Angela Brown (27:37):
So before we let you go and we listen to our last piece, is there anything else that you would like to tell us about the Recording, uh, initiative, Inclusivity Initiative, uh, that All Classical Portland is doing?
Adam Eccleston (27:53):
I think one, one thing I want to say is the amount of love that went into this recording is, it’s so clear in every single track, the depth, the brilliance, the commitment, and on top of that, it’s all culminated in the art by Monica Obaga, who is phenomenal. She’s based, uh, in LA but she is, is from, um, Kenya, excuse me, from Kenya. So to, to have everything come together, uh, in, in this way that just, it just makes me feel so good. For me, when I listen to every single track, I think of butter. I just think of butter, the richness, and all I’m missing is just my biscuit. So once this comes out on October 28th, y’all better make sure and get your biscuit because there’s butter all over, all over this album.
Joshua Thompson (28:53):
Fantastic. It, it, it sounds like it is a village investment and I love that. So let’s listen to one more piece off of the soon to be released recording from all Classical Portland’s Recording Inclusivity Initiative. This is Spark and a Glimmer by Lauren McCall for violin, cello, and piano.
Music Plays (29:14):
[Spark and Glimmer by Lauren McCall]
Angela Brown (38:11):
Wow, Let me tell you Honey, that was a Spark and a Glimmer. You better go Ms. McCall. Baby, I am so ready to have my biscuit, but on god, this recording. I enjoy that.
Joshua Thompson (38:30):
It’s so fun. You know, Adam, what I absolutely love about the pieces that you selected for us today is just how much richness and diversity within our own diaspora the music is.
Adam Eccleston (38:43):
Angela Brown (38:44):
Joshua Thompson (38:45):
And these have not been recorded before and they should be just studying. I almost couldn’t tell with a spark and the glimmer differentiated. And by the end of it, I didn’t care [laughter]. It was all glimmering and sparkling and yeah.
Adam Eccleston (38:58):
It was clear, yeah.
Joshua Thompson (38:59):
Oh yeah. Just absolutely fantastic. This was a great one. This was a great one.
Angela Brown (39:04):
Yes, I enjoyed it so much. And after all, this is what Melanated Moments in Classical Music is all about, and I’m happy to witness this collaborative meeting of the minds to get more melanated music out to the masses.
Joshua Thompson (39:20):
Yes, yes, yes. And so we just say thank you so much Adam, and thank you All Classical Portland’s Recording Inclusivity Initiative. And on that note, I’m Joshua Thompson.
Angela Brown (39:34):
And I’m Angela Brown.
And this has been Melanated Moments in Classical Music.
Joshua Thompson (39:43):
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In this week’s playlist, we celebrate Black Music Month which takes place in June. It was created by President Jimmy Carter in 1979 to honor and celebrate Black artists’ contributions to music. We’ll be honoring the late Herman Whitfield III, an Indianapolis native who was a gifted pianist and composer. We’ll also hear performances of artists who have been featured in season four of Classical Music Indy’s podcast, Melanated Moments in Classical Music.
In this week’s playlist, we’ll hear the soothing voices of the British vocal ensemble VOCES8. They are proud to inspire people through music and share the joy of singing. Touring globally, the group performs an extensive repertoire both in its a cappella concerts and in collaborations with leading orchestras, conductors and soloists. Versatility and a celebration of diverse musical expression are central to the ensemble’s performance and education ethos.
In this week’s playlist, we are gearing up for the Indianapolis 500-Mile Race, which is happening Sunday, May 29th. What better way to celebrate than to feature a great organization that has been telling the rich history of this great race. This week we have guest curator Jason Vansickle of the Indianapolis Motor Speedway Museum. Jason is the Vice President of Curation and Education and we’ll hear some insights about the museum, his role, and pieces he helped me pair for this playlist.
Convinced that music has the power to change lives, she is internationally recognized for her innovative approach to programming and audience development, deep commitment to education, and championing of music’s importance in the world. Marin is the first woman to serve as the head of a major orchestra in the United States, South America, Austria, and Britain, she is, as the New York Times put it, not only “a formidable musician and a powerful communicator” but also “a conductor with a vision.” Want to hear and learn more about Marin Alsop and live in the Indianapolis area? Join us Wednesday, May 25th at 7:30 p.m. for a special one-night screening of the film The Conductor, featuring internationally renowned conductor Marin Alsop.
In this week’s playlist, we have guest curator José Valencia of the Kokomo Symphony Orchestra (KSO) speaking about the organization and some of his musical background and insights. In addition to working with the KSO, Mr. Valencia is the founding music director and artistic advisor for the cutting-edge Indianapolis-based Orkestra Projekt. He is also Assistant Conductor and concertmaster of the Marion Philharmonic Orchestra and Assistant Concertmaster with the Lafayette Symphony Orchestra.
Claiming no allegiance to either end of the historical spectrum, Brooklyn Rider most comfortably operates within the long arc of the tradition, seeking to illuminate works of the past with fresh insight while coaxing the malleable genre into the future through an inclusive programming vision, deep-rooted collaborations with a wide range of global tradition bearers, and the creation of thoughtful and relevant frames for commissioning projects.
In this week’s playlist, we are featuring performances by the Los Angeles contemporary music ensemble, WILD UP. They are led by artistic director and founder, Christopher Rountree. This GRAMMY-nominated ensemble has worked with numerous artists since first forming in 2010. They have held residencies at the Los Angeles Philharmonic, the Colburn School, Los Angeles Chamber Orchestra, National Sawdust, and the Hammer Museum, and taught at dozens of educational institutions across the U.S.
In this week’s playlist, we bring you works by American composer, Rain Worthington. Some influences in her works have included world music, minimalism, and romanticism. Inspired by the energy of the contemporary classical scene, she pursued her love of orchestral music and taught herself notation and orchestration.
This week we are highlighting the Indianapolis City Market and our guest curator for this playlist, Executive Director, Keisha Harrison. Born and raised on the South Side of Chicago, Keisha Harrison has called Indianapolis home for almost the past two years.
This year it is even more important to shine a light on the wonderful composers of film music. The Academy Awards recently mentioned that eight awards will not be presented during the live March 27th telecast including, Best Original Score, Film Editing, Production Design, Makeup and Hairstyling, Sound, Documentary Short, and Live-Action Short and Animated Short. The current plan is to present these eight awards during the pre-telecast hour. We stand with these artists and hope they receive the recognition they deserve.
In this week’s playlist, we are highlighting pieces and performances by women artists who have Indiana ties in honor of Women’s History Month. This annual event celebrates the important contributions of women of the past to the present. We’ll shine a light on some great woman artists who have contributed to society with their musicianship.
In this week’s playlist, we are featuring the works of Grammy-nominated American composer Missy Mazzoli. Missy is an active TV and film composer, writing music for the Amazon TV show Mozart in the Jungle, and is a pianist and keyboardist with Victoire, an all-female chamber rock quintet she founded in 2008 dedicated to her own compositions.
This New York-based ensemble is currently quartet-in-residence at the John J. Cali School of Music and the Royal College of Music in London. The quartet’s mission is to advance diversity in classical music, engaging young and new audiences through the discovery and presentation of varied repertoire that includes works by composers of color. There are even some local ties to this amazing ensemble. Cellist Felix Umansky is a native of Carmel, Indiana, and joined the Harlem Quartet in the spring of 2015.
In this week’s playlist, we bring you the music of English composer, Rachel Portman. If you don’t know her by name, you might already know her by her music. Portman is an award-winning film composer and has scored for films like Race, The Cider House Rules, and A Dog’s Purpose just to name a few. Portman shattered the glass ceiling with her score for the 1996 film, Emma, and became the first woman ever to win an Oscar for best original score.
In this week’s Black History Month playlist, we bring you recordings by composers, performers, and artists who have been highlighted in our podcast, Melanated Moments in Classical Music. Melanated Moments is the ward-winning podcast from Classical Music Indy that shines a spotlight on musical works composed by, for, and about Black people.
We are excited to feature composer, conductor, and educator, Tania León in this week’s New Classical playlist. She is a founding member of the Dance Theatre of Harlem, León instituted the Brooklyn Philharmonic Community Concert Series, co-founded the American Composers Orchestra’s Sonidos de las Américas Festivals, was New Music Advisor to the New York Philharmonic, and is the founder/Artistic Director of the nonprofit and festival Composers Now.
Moses Hogan: A Bridge That Can …
In this week’s playlist, we are featuring Spanish conductor, Juanjo Mena. This is in conjunction with the upcoming Classical Series concert by the Indianapolis Symphony Orchestra happening on January 28th and 29th. Mena will be leading the ISO’s, “Greetings from Latin America” concert. Juanjo Mena began his conducting career in his native Spain as Artistic Director of the Bilbao Symphony Orchestra in 1999.
In this week’s playlist, we bring you performances by trombonist, Mark Hetzler. He was the former Principal Trombonist of the Hartford Symphony Orchestra and has performed with the Boston Symphony Orchestra and the Boston Pops Orchestra, as well as the Florida Orchestra, the Jacksonville Symphony Orchestra, the Springfield Symphony Orchestra, and the Palm Beach Opera Orchestra. One interesting fact about Mark is that he’s a member of the experimental rock band, Mr. Chair, where he plays his trombone while hooked up to an effects pedalboard, giving it an electric trombone feel.
In this week’s playlist, we bring you the music of northern Indiana composer, Jorge Muñiz. Based in South Bend, Indiana, Jorge is a Professor of Music at Indiana University South Bend’s Ernestine M. Raclin School of the Arts as well as the Interim Dean. In addition to winning the First Grand Prize of the European Young Composers Competition, Muñiz has won several other international awards including the City of Alcobendas Composition Prize, the Flora Prieto Composition Prize, the Guerrero Foundation Music Prize, the Joaquin Turina Music Prize, and the Spanish Society of Authors Young Composers Competition.
This week’s playlist theme is in observance of National Slavery and Human Trafficking Prevention Month. January, 11th is also National Human Trafficking Awareness Day. This has become a growing issue in our time not just in the United States, but across the globe. We are raising awareness on this issue through music, specifically composer, Du Yun.
Hey, Starshine! This is Okara Imani, Media Production Fellow for Classical Music Indy, and your guide to The “I” in Classical Music. I’m here to highlight the cultural and social intersections of the classical art form, beyond the Classical Period and beyond the constructs of Euro-centric high society origins.
In this week’s playlist, we bring you performances by a group who are programming a diverse range of voices, commissioning flexible new works, and re-imagining educational programs. That ensemble is Sō Percussion. They are a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
It’s that time of year! Bustling shops, family gatherings, and a nip in the air. This week we bring you works for the upcoming Holidays. However you may celebrate, we hope this season is full of joy and good health. The playlist is filled with many works that will surely get you in the holiday spirit.
In this week’s playlist, we bring you works by award-winning composer, Mason Bates. He is an American composer and DJ, which all translates to his works. His works often mix electronic dance music with traditional symphonic writing. Locally, his 2019 Grammy awarding-winning opera, The (R)evolution of Steve Jobs, was a Jacobs School of Music co-production with the Santa Fe Opera, Seattle Opera, and San Francisco Opera back in 2018.
For this week’s playlist, we connected with the Carmel Christkindlmarkt to create a playlist that will get you in the holiday spirit. The Carmel Christkindlmarkt has brought the old-world charm of Christmas in Germany to Carmel, Indiana. The Carmel Christkindlmarkt is an open-air Christmas market in traditional German style, and was founded as a nonprofit organization in 2017 with the support of the City of Carmel and Mayor James Brainard. It runs annually from November 20th through December 24th.
In this week’s playlist, we bring you performances by the Catalyst Quartet. The Grammy Award-winning ensemble was founded by the internationally acclaimed Sphinx Organization in 2010. They believe in the unity that can be achieved through music and imagine their programs and projects with this in mind, redefining and reimagining the classical music experience.
Alastair’s previous positions include Music Director of the Illinois Symphony, Principal Guest Conductor with the Florida Orchestra’s Coffee Concert series, Associate Conductor of the Seattle Symphony, Assistant Conductor with the Cincinnati Symphony and Pops Orchestras, and Music Director of the Cincinnati Symphony Youth Orchestra.
Tate has held numerous Composer-in-Residence positions and his commissioned works have been performed by the National Symphony Orchestra, San Francisco Symphony and Chorus, Dallas Symphony Orchestra, Buffalo Philharmonic Orchestra, Detroit Symphony Orchestra, Minnesota Orchestra, South Dakota Symphony Orchestra, and many more.
In this week’s playlist, we are featuring local composer and Butler University Professor, Michael Schelle. A man of many talents, he has been the Composer in Residence and founder of the notorious JCA Composers Orchestra at Butler University, a two-time nominee for the Pulitzer Prize in Music, a finalist for the International Humour in Poetry Competition (Paris), a published author (film music book), and a restaurant critic.
In this week’s playlist, we are featuring Caroline Shaw. She is the youngest ever winner of the Pulitzer Prize for Music for her composition, Partita for 8 Voices. Shaw is a New York-based vocalist, violinist, composer, and producer who performs in solo and collaborative projects. She performs as a violin soloist, chamber musician, and as a vocalist in the Grammy-winning ensemble Roomful of Teeth.
Many great classical music artists have connections to Indiana. In this week’s playlist, we’ll be featuring conductor, Robert Spano, who has Indiana roots. Born in 1961 in Conneaut, Ohio, and raised in Elkhart, Indiana, he grew up in a musical family, composing and playing flute, violin, and piano.
In this week’s New Classical channel, we are excited to feature the Spektral Quartet. The quartet has received multiple Grammy nominations, as well as one Latin Grammy award. Spektral also takes great pride in its home city of Chicago: championing the work of local composers, bridging social and aesthetic partitions, and cultivating its ongoing collaborations and residencies in the Chicago region.
Also known as Indiana’s Nicest Day, this year the Penrod Arts Fair took place Saturday, September 11, from 9 a.m. to 5 p.m. Annually organized by The Penrod Society, this year’s fair featured over three hundred artists, six entertainment stages, and 75 arts-related non-profit organizations, including Classical Music Indy. If you went to the arts fair, Classical Music Indy let people place a sticker on a picture of a living artist of their choice.
Ric’key Pageot: Inspiring a Mo …
This week on Classical Music Indy’s Local Classical channel, we present music by composers, performers, and conductors of Hispanic descent, both from the United States and from Latin American countries. This playlist was also guest curated by Consuelo Poland, Founder and Executive Director of the Latinas Welding Guild. Consuelo’s nonprofit organization here in Indianapolis aims to empower Latinas and all women personally, creatively, and economically through welding.
In this week’s playlist, we are featuring the string quintet ensemble, Sybarite5. They have collaborated with artists like Ehsan Matoori, Shane Shanahan, Jakub Ciupinski, Clarice Assad, and more. Sybarite5 has appeared at festivals including Ravinia, Caramoor, Wolf Trap, Grand Teton, Aspen, Interlochen, Chautauqua, and many others. International appearances include Canada’s Tuckamore Music Festival, the New Docta International Music Festival in Cordoba, Argentina, and the Osaka Festa in Osaka, Japan.
All the great classical music we love has to have started somewhere, and often that place was in the classroom. All your favorite classical music composers, conductors, soloists, and more couldn’t have been possible if it weren’t for music educators. In this week’s playlist, we are featuring works chosen by Indiana music educators in honor of National Arts in Education Week.
Known as “Indiana’s Nicest Day” and one of the largest single-day arts fairs in the country, The Penrod Arts Fair is taking place this year on Saturday, September 11 from 9 a.m. to 5 p.m. This year’s fair will feature over three hundred artists, six entertainment stages, and 75 arts-related non-profit organizations, including Classical Music Indy, all taking place at the beautiful Newfields.
In this week’s New Classical channel we are excited to feature conductor, Eun Sun Kim. She is the first Asian woman conductor to lead an American opera company. As of August 1, 2021, Eun Sun Kim is the Music Director of the San Francisco Opera. A native of Seoul, Kim studied composition and conducting and later continued her studies in Stuttgart where she graduated with distinction. After graduating she went on to win First Prize in the International Jesús López-Cobos Opera Conducting Competition at the Teatro Real.
In this week’s playlist, we are highlighting artists that are performing in this year’s ChamberFest Brown County. The festival is taking place from August 17th-22nd in Nashville, Indiana. Part of ChamberFest’s mission has been to bridge divides in rural Indiana through classical music performance and education of the highest caliber.
In this week’s playlist, we are featuring the recordings from the 2020 Micro Composition Project. This Classical Music Indy Program has been very successful and we are excited to share the upcoming premiere concert date for the 2021 Micro Composition Project. The works will premiere at the Indianapolis Propylaeum’s Porch Concert Series on Aug. 13 at 8 p.m. in Indianapolis, Indiana.
This week’s playlist highlights living composers, new music specialist artists, and the work of the Music in Bloom Festival, coming to Indianapolis audiences August 11–14, 2021. From full orchestra to solo works, your host, concert pianist, and Music in Bloom founder/Artistic Director, Clare Longendyke guides listener’s through Music in Bloom’s featured artists of past and present.
The Indianapolis Baroque Orchestra has been the ensemble-in-residence at the Indiana History Center and the University of Indianapolis since 1999. Their performances and recordings are all performed with period instruments built between 1600 and 1750. They make it a mission to perform and promote music of the 17th and 18th centuries using period instruments and historically informed performance practices.
Inclusive Practices You Can In …
As a listener-supported service, we wanted to program a playlist featuring works specifically selected by our listeners. At the beginning of June, we sent out surveys requesting our listener’s favorite classical pieces, periods, and soloists. The results were great and this playlist includes a little of everything based on the responses. Thank you for making our streaming service possible.
In this week’s playlist, we are featuring award-winning American composer, Joel Puckett. His music is performed by the leading artists of our day and is consistently recognized by organizations such as the American Composers Forum, BMI, Chorus America, National Public Radio, and the American Bandmasters Association
2021 marked the one-year anniversary of Krzysztof Penderecki’s death. As a polish composer and conductor, Penderecki became a leader in the world of contemporary music. One of his first groundbreaking works was his avant-garde piece, Threnody to the Victims of Hiroshima. His music often confronted subjects such as social injustice, religion, and politics.
Since 1979, June has been known as Black Music Month. In the classical music world, black artists are so often underrepresented. In this month’s playlist, we’ll be highlighting music by black composers, soloists, conductors, and more. This playlist has selections spanning from the 17th century to today.
As a composer, Xavier did most of his studies privately with Rodrigo Asturias. In 2013 he won the Silver Medal at the fourth International Antonin Dvorak Composition Competition in Prague. Xavier studied music theory at the University of Cincinnati where his thesis was ranked no. 4 in the National Best-Seller Dissertation List. He obtained his Ph.D. in composition at the University of California San Diego where he studied with Roger Reynolds, Philippe Manoury, and Chinary Ung.
Corey Denham‘s project resulted in an album that highlights a modern language of classical improvisation for flute and percussion with Jenna Page. This album draws upon experiences and memories from specific landmarks around Indianapolis, recreating the atmosphere of these locations and connecting Indianapolis listeners to places they know and love.
In honor of May being Mental Health Awareness Month, this week’s New Classical streaming playlist will be featuring Dr. Loretta K. Notareschi and her piece String Quartet OCD. Dr. Notareschi is a professor of music at Regis University and is very open about her mental health. One of the hardest moments of her life was when she grappled with an unnerving postpartum obsessive-compulsive disorder.
In 2020, The Classical Music Indy Recording Fellowship sought to provide an opportunity for two outstanding musicians to engage in a top-of-the-line recording experience of their own choosing, while providing mentorship on developing a career in the recording industry. One of the chosen fellows was Chloe Boelter. Chloe recorded a set of female-composed French and German art songs.
In this week’s playlist, we’ll be featuring Argentinean bandoneonist, Héctor Del Curto. Born into a family of bandoneon players, Mr. Del Curto was introduced to the world of Tango and bandoneon by his grandfather, Héctor Cristobal. By the age of 17, he had won the title “Best Bandoneon Player Under 25” in Argentina, and was invited to join the orchestra of the legendary Osvaldo Pugliese, the “Last Giant of Tango.”
In honor of April being the Month of the Young Child, this playlist was made with kids in mind. We’ll be featuring works that have been in the Fantasia films, cartoons, and more. Pieces like Sergei Prokofiev’s, Peter and the Wolf Op. 67, are great examples of classical music to introduce to children as it includes a spoken narrative.
In this week’s playlist, we’ll be featuring music selections from films in honor of the upcoming 2021 Oscars. There is one composer whose works you will hear much of in this playlist and that is the great John Williams. Also included in this playlist is a film score that is a contender for an Oscar this year. It is from the film, Minari and the music is by Emile Mosseri.
In this week’s Local Classical channel, we’ll be highlighting local Indianapolis musician, Mark Ortwein. Mark is a bassoonist with the Indianapolis Symphony Orchestra, but his talents don’t stop at bassoon since he is also a sought-after instrumental doubler. Over the last 20 years, Mark has performed in many different musical projects including professional recordings, musical theater, chamber ensembles, jazz, and R&B groups, as well as many orchestral performances, including being a member of the Saxophone section for the Cincinnati Pops under Erich Kunzel.
Ignatius Sancho: Composing the …
In this week’s playlist, we are excited to feature American Composer David Lang. Lang is already an accomplished composer as he is a Grammy and Pulitzer prize winner. Lang is one of America’s most performed composers and many of his works resemble each other only in the fierce intelligence and clarity of vision that inform their structures. His catalog is extensive, and his opera, orchestra, chamber, and solo works are by turns ominous, ethereal, urgent, hypnotic, unsettling, and very emotionally direct.
Our friends at The International Violin Competition of Indianapolis (IVCI) have a Laureate Series that features prize winners of past competitions and special guests. As for the competition, violinists from around the world come to compete at this prestigious organization elevating the arts scene in Indianapolis. During this month of March, the IVCI is bringing back 1994 gold medalist Juliette Kang and 2006 laureate Bella Hristova. Since their initial visits to the IVCI, both their careers have been quite fruitful and their names have received international acclaim.
Laura Karpman: Catch the Fire …
The second segment in guest host Clare Longendyke’s Amplify! series presents a program of works by female-identifying composers of color as a celebration of the intersection between Black History Month and Women’s Month. This eclectic program highlights works that celebrate multicultural musical styles from around the world. Enjoy pieces by some of Clare’s favorite living female composers mixed with some of the most important female voices of classical music’s past, voices that continue to influence the aesthetics and compositional approaches of composers today.
This week, we partner with our friends at the Indianapolis Chamber Orchestra (ICO) to feature the music from the 1927 silent film Metropolis. Since 1984, the Indianapolis Chamber Orchestra’s mission has been to advance and promote music composed for the small orchestra through professional concert performances and education programs. On Saturday, March 20th Fritz Lang’s Metropolis will be accompanied live by the Indianapolis Chamber Orchestra.
As Women’s History Month begins, we are highlighting women musicians, composers, and conductors of the past and present. In this week’s playlist, we are featuring London-born composer Anna Clyne. Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “fearless” by NPR, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians. From 2010–2015, Clyne served as a Mead Composer-in-Residence for the Chicago Symphony Orchestra.
Ways to Better Support LGBTQ+ …
The International Violin Competition of Indianapolis (IVCI) Laureate Series features prize winners of past competitions and special quests. During this month of February, the IVCI is bringing back the 2014 Silver Medalist Tessa Lark. Ms. Lark has been a featured soloist at numerous U.S. orchestras, recital venues, and festivals since making her concerto debut with the Cincinnati Symphony Orchestra at age sixteen.
Make Music Meaningful for Chil …
In this week’s New Classical playlist, we’ll be featuring works by American composer Robert Paterson. Robert Paterson was named Composer of The Year in 2011 by the Classical Recording Foundation at Carnegie’s Weill Hall. His music has been on the Grammy ballot for the past six seasons, and his works have appeared on National Public Radio’s Best of the Year lists for classical music and regularly appear on radio playlists across the United States.
In this week’s Local Classical channel we’ll be featuring recently retired Indiana University Clarinet Professor James Campbell. James Campbell has been a soloist with over 60 orchestras, including the Boston Pops, the London Symphony, the London Philharmonic, the Russian Philharmonic, and the Montreal Symphony, and has performed Copland’s Clarinet Concerto four times with Aaron Copland conducting.
This week we bring you the music of Dr. Bill Banfield. Dr. Banfield is an award-winning composer whose symphonies, operas, chamber works have been performed and recorded by major symphonies across the country. Few have a wider, performed professional composing output, that has had public concert performances, reviews, radio, recordings of some 12 symphonies, 7 opera, 9 concerti, chamber, jazz, and popular forms. This alone making Dr. Banfield one of the most performed, recorded composers of his generation. In 2010 and 2016, Dr. Banfield served as a Pulitzer Prize judge in American music.
In this week’s playlist, we feature the music that was highlighted in the latest installment of Classical Pairings Host Challenge. Beginning mid-November 2020, a different Indianapolis arts leader challenged host Nicholas Johnson with a piece of music to pair with a cocktail, using a local spirit.
In this week’s programming, we bring you music that has been nominated for the 2021 Grammy Awards! The Grammy’s take place near the beginning of each year, however, this year the awards have been pushed back to March 14, 2021, due to Covid-19 precautions. We’ll be featuring music by composers Shulamit Ran, Jennifer Higdon, and Ellen Taaffe Zwilich. This dynamic trio released their album in collaboration with the Pacifica Quartet entitled, Contemporary Voices in 2020. It has been nominated in the category of Best Chamber Music/Small Ensemble Performance. The Indiana University-based quartet is also joined by alto saxophone soloist and Indiana University faculty member, Otis Murphy.
Teaching Your Kids At Home? He …
Nicholas Sokol is a composer, conductor, and pianist specializing in solo, chamber, orchestral, choral, and electronic music. Nicholas’ music has been performed throughout the United States and at prestigious venues such as Carnegie Hall. His music has been performed by members of the Chicago Civic Orchestra, members of the New World Symphony, the Atlantic Music Festival Orchestra, and the Atlantic Music Festival New Music Ensemble.
As we eagerly enter into the new year, we’ll celebrate by featuring Americana works. This weeks’ playlist features the album Not Our First Goat Rodeo. The album is a fun mix between Classical and Bluegrass and is sure to get you into the 2021 spirit. Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile star in this fun and genre-blending album. This is a sequel from their 2013 Grammy award-winning album, The Goat Rodeo Sessions.
This is not a story to pass on …
Eric Salazar holds a B.M. in Clarinet Performance from Ball State University and an M.M. in Clarinet Performance from Bowling Green State University. He has performed as a soloist and group musician in 8 states of the US and overseas in Belgium. Salazar was also a part of 2020’s Micro Composition Project, in which Classical Music Indy commissioned six different Indianapolis-based composers to create new engaging works to disrupt the genre’s traditional listening experience.
The first segment in guest host Clare Longendyke’s Amplify! series presents a program of works by black composers. As performers and audiences around the world aim to expand the classical music stage to include a more equitable and diverse array of voices, this radio program strives to do the same by introducing listeners to new names in classical and contemporary music, new works from these composers, and new aesthetics within classical composition. As music is truly a universal language, let us work to fight inequality and injustice in classical concert music by amplifying the voices that have too long been silenced. Connect with Classical Music Indy’s New Classical Streaming channel to hear Clare Longendyke’s Amplify! playlist.
5 Helpful Tips for Teaching Hi …
Composer Mina Keohane’s self-titled group is undeniably jazz but draws more influences from rock and hip-hop grooves rather than the standard swing or bop styles. The Group has been steadily making a name for themselves with a fanbase in the midwest, New England, Down South, and parts of Europe. The beautiful emotional pieces on the album are complemented by tunes with dissonance and edgy bass and drum grooves. Fans of creative modern instrumental music will love the Mina Keohane Group’s Doppelganger.
As the Christmas holiday approaches, we wanted to get you in the spirit in a new way. Composer Phil Kline came up with a unique way of Christmas caroling in 1992 where he made the audience become the performer. Phil Kline composed four tracks of music that each participant gets in the form of a CD, cassette, or mp3. Every participant gets a different track and the tracks are meant to be played at the same time, creating a unique mobile sound sculpture that is different from every listener’s perspective.
Timothy Gondola, 26, was born in Ithaca, NY, grew up and resides in Indiana. He majored in geography and minored in music at Macalester College (St. Paul, MN). He’s pursuing a Master’s in GIS at IUPUI. At age four, Timothy started learning piano from his mother. At Macalester College he discovered jazz, delving into the jazz piano repertoire by learning Oscar Peterson and Art Tatum transcriptions, including ones he transcribed himself. In 2013, he also started taking lessons in jazz with Mike Vasich, and classical lessons with Lauri Saeger-Wright.
This week we bring back guest streaming host, Clare Longendyke. Clare is an award-winning pianist who is nearing completion of her doctorate in piano performance at Indiana University’s Jacobs School of Music and is the founder and artistic director of the Music in Bloom Festival, a series of concerts in Indianapolis highlighting classical music from the 21st century. She is a sought-after pianist, performing over 50 concerts a year in North America and Europe. This week, Clare explores the music of French musical pedagogue and composer Nadia Boulanger.
Rob Funkhouser is an Indianapolis-based composer, performer, and instrument builder. He recently received an M.M. from Butler University in Music Composition, and most recently completed confidently, but with an awkward gait for the Los Angeles Percussion Quartet.
Since 1990, November has been established as National Native American Heritage Month. America has always had a mosaic of cultures dating back thousands of years to the original inhabitants of the land. This week on Classical Music Indy Streaming’s New Classical channel, we feature music by two Native Americans, R. Carlos Nakai, and Brent Michael Davids.
Composer Andy Akiho has been recognized with many awards during his career, including the Rome Prize, Lili Boulanger Memorial Prize, Harvard University Fromm Commission, the American Composers Orchestra, Carlsbad Commission for the Calder Quartet, Barlow Endowment for Music Composition, and Chamber Music America.
Part of Classical Music Indy’s Micro Composition Project, this week we’ll be featuring Indianapolis-based American composer, multi-media artist, and pianist, Gabrielle Cerberville. Originally from New York State, Cerberville holds a degree in composition from Butler University.
Running from September 15, the anniversary of independence for several Latin American countries, to October 15, National Hispanic Heritage Month celebrates the histories, cultures and contributions of American citizens whose ancestors came from Spain, Mexico, the Caribbean and Central and South America.
In addition to featuring music by living composers, part of the vision for CMI Streaming’s New Classical channel is to give you fresh takes on the classical music you already know and love. We make good on that promise this week with the Classical Hits Reimagined playlist
Turn an ear to podcast host an …
This week on our Local Classical channel, CMI Streaming presents our first Classical Block Party. Created in collaboration with some of our local business partners, we present some of classical music’s best “jams” as well as music paired with some of the best local summer food, beer, and cocktails.
The Chineke! Foundation was founded in 2015 to provide career opportunities for young Black and Minority Ethnic classical musicians in the UK and Europe. In 2017, the Chineke! Orchestra, the organization’s flagship ensemble, made its BBC Proms debut at the Royal Albert Hall in August and performed at many other leading festivals throughout England, all to great critical acclaim.
With stay-at-home restrictions and many arts events cancelled, the staff at Classical Music Indy miss seeing our arts colleagues in person, going to concerts, and seeing audiences react to the great work our local arts organizations provide in our community.
May is Jewish American Heritage Month and we celebrate this week by featuring music by composer Osvaldo Golijov. Though he was born in Argentina to Romanian parents and spent time living in Israel, Golijov joined the faculty of the College of the Holy Cross in Worcester, Massachusetts, in 1991.
Despite the fact that we’re all stuck inside, and aside from the occasional random overnight freeze, spring has sprung in Indiana. To celebrate spring, we’re digging into the CMI archives this week to bring you Rob Funkhouser’s “Three Peacetime Images for Fort Benjamin Harrison State Park.”
Angela Brown brings her unbrid …
This week on CMI Streaming we feature local composer and Butler University faculty member Frank Felice. Felice is an eclectic composer who writes with a postmodern mischievousness: each piece speaks in its own language, and they can be by turns comedic or ironic, simple or complex, subtle or startling or humble or reverent.
As we wrap up our Women’s History Month programming, we feature music this week by composer and vocalist Hanna Benn. Benn’s multi-disciplinary approach has incorporated dance, opera, and theatre — submerging boundaries and discovering new sonic landscapes in the process.
We continue our celebration of Women’s History Month on CMI Streaming with this week’s featured artist, pianist Kate Boyd. An active soloist and chamber musician, Boyd has performed solo recitals at Weill Hall at Carnegie Hall, Schubert’s birth house in Vienna, the National Concert Hall in Dublin, the Musikhalle Hamburg, in addition to many places throughout the US, Greece, Ireland and Canada.
We continue our celebration of Women’s History Month this week by featuring music by composer Eliza Brown. Brown’s work is often interdisciplinary, with a recent focus on musical theater and opera. She also writes music that is, what she calls, intertextual, opening dialogues with existing pieces of music, historical styles, and other cultural artifacts.
All this month on CMI Streaming, we celebrate Women’s History Month by featuring the musical contributions of women artists, including composers and performers. American composer Jennifer Higdon taught herself to play the flute at age 16 before beginning formal music studies at age 18 and composition at age 21. Despite the late start, Higdon has become one of the most often-performed contemporary composers.
We continue our Black History Month programming this week with our featured artist, soprano Angela Brown. Born in Indianapolis, Brown has led a world-renowned career as a vocal soloist. Her highly successful Metropolitan Opera debut in the title role of Aida captured instant attention from international print and broadcast media and catapulted Angela onto the world’s prestigious opera and symphonic stages.
Throughout the month of February, CMI Streaming is celebrating Black History Month by featuring music by African-American performers, conductors, and composers. This week, we’ll hear several pieces performed by brothers Anthony and Demarre McGill.
In collaboration with the Ronen Chamber Ensemble, this week we feature violinist Pavel Berman. Berman won the 1990 International Violin Competition of Indianapolis and serves as guest artist with the Ronen Chamber Ensemble in their performance at the Glick Indiana History Center.
Flutist Amy Porter has led a distinguished career as a performer and has been hailed by critics for both her performance and her passion for scholarship. In 2006, Porter became the first performing artist to be awarded the University of Michigan’s Henry Russel Award for distinguished scholarship and teaching ability and she has been featured as a soloist with orchestras around the world.
This week on CMI Streaming’s New Classical channel, we feature an ensemble that has made a name for themselves performing music by living composers. Eighth Blackbird has been hailed as “one of the smartest, most dynamic ensembles on the planet” by the Chicago Tribune.
Clarinetist Elizabeth Crawford, a faculty member at Ball State University’s School of Music and CMI Streaming’s featured artist for this week, is originally from Louisville, Kentucky, and later studied at Furman University, the University of Michigan, and Florida State University. A longtime member of the Jacksonville Symphony Orchestra, Crawford spent the early 2000’s living in London, where she had the opportunity to perform with nearly all the major orchestras in England.
Ohio-based composer Rick Sowash strives for a sense of authenticity in his music. In an interview with Minnesota Public Radio, Sowash spoke of the influence of his grandmother, who, though she has passed away, still influences his compositional process, keeping him grounded in music that truly comes from who he is.
This week on CMI Streaming, we feature music by John Williams, an iconic American composer who has been nominated for 51 Academy Awards for his work on music for films dating back to 1967. His first win in the Best Original Score category came in 1975 with his score for Jaws. Just two years later, perhaps Williams most iconic work earned him another Oscar win, with his score for 1977’s Star Wars.
This week on CMI Streaming, we feature our very own Indianapolis Symphony Orchestra. Founded in 1930, by Ferdinand Schaefer, the ISO turned fully professional in 1937. Shortly after this transition, the orchestra gained national prominence, releasing a series of phonograph recordings RCA Victor and Capitol Records in the 1940s and 50s.
The Dover Quartet rose to international prominence following a sweep of the 2013 Banff Competition, at which they won every prize. Named the Cleveland Quartet Award-winner, and honored with the coveted Avery Fisher Career Grant, the Dover Quartet has become one of the most in-demand ensembles in the world, performing more than 100 concerts in North America in 2018 and 2019
Canadian Brass performs at Clo …
The concert series “Sacred Art …
Annie Fischer was a Hungarian-Jewish pianist of great renown. Although an unfamiliar musician to Americans, her passion for music and excellent performance ability were greatly admired by her contemporaries. Fischer left behind a wealth of recordings, some from the studio and many from her live performances.
Get ready to dance! Although an unfamiliar style to some, klezmer is a music that has an undeniable folk sound that is combined with rhythms of dance. This musical style uses instruments to imitate the laughter and/or weeping of the human voice and is most often heard during times of merriment. Read below to learn more, and to listen to some recordings at the end.
James Aikman, Composer-In-Residence with the Indianapolis Chamber Orchestra, has written a new concerto for viola, which will be premiered on April 21, 2018 at 7:30 pm, with soloist Csaba Erdélyi, ICO principal violist. We’ve put together this playlist to preview the ICO performance at the Howard L. Schrott Center for the Arts at Butler University.
Indianapolis has a robust local classical music scene, worthy of being treasured as one of our city’s defining assets. And with NOTE, Classical Music Indy aims to tell stories that will delight and surprise avid classical fans, as well as welcome those new to the world of classical music. For this first issue, we chose to feature Women in Music, to celebrate local influencers past and present that have made stunning accomplishments not only with their talent, but also with their leadership in the genre.
Here at Classical Music Indy we are thankful for our community, our generous donors, and, of course, our talented performers! We connected with several of our musicians to see what Thanksgiving traditions they have with their families. From food to family to music, each artist has their own unique Thanksgiving customs. Read below to see how Corey Denham, Bethany Daugherty, Laura Recendez, Maya Nojiri Sutherland, John Alvarado, and Jennifer Gallegos spend their Thanksgiving!
Leonard Berntsein was an extremely versatile composer who wrote music for everything from solo voice to a full-sized chorus and orchestra. And while he did write wildly popular shows for Broadway, like West Side Story, he also wrote pieces based on his Jewish faith and ancient philosophers. Enjoy!
Classical Music Indy now brings you free weekly listening playlists through Spotify. Gustav Mahler, the renowned conductor, visionary composer, and uncompromising idealist in all things musical, was born on July 7, 1860. “A symphony should be like the world,” he preached to a fellow composer, and he provided plenty of real-world examples to show what he meant.
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. To honor Jewish American Heritage Month, we spoke with Cantor Janice L. Roger, from the Indianapolis Hebrew Congregation (IHC). She has been the Cantor with the IHC for 38 years and will be retiring from the position this year. Cantor Roger discusses her love of music, how it is used throughout her work at the IHC, and why she decided to serve her community through music.
For some seniors in our community, every day is a struggle with reduced mobility, lack of transportation, and limited resources, decreasing their social interaction and recreational opportunities. To combat these forces, Classical Music Indy provides the Senior Series, which brings live music directly to residents of nursing homes and assisted living centers.
Classical Music Indy employs a diverse range of musicians for our events around Indianapolis. In 2016 we hired 95 musicians. Classical Music Indy has dedicated our blog articles to outstanding women musicians this month. We’ve shared about great women music educators in America and about under-recognized women musicians throughout history. This week, we take a look at a few of Classical Music Indy’s top performers – women who are doing great work here and now in the city of Indianapolis. Read below about these incredibly talented musicians, and hopefully you’ll hear them at one of our events in the near future!
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. This week we are featuring Eloise Paul, a Mentor at the Andre B. Lacy School of Business at Butler University, and Board Member of Classical Music Indy. She shares with us how music has helped her throughout her life, why she became involved with Classical Music Indy, and why the arts are important to Indianapolis.
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. This week we talked with Carl Butler, the Principal Flute for the Indiana Wind Symphony and Vice President, Legal, at Angie’s List. He talks about how important music is to him, and how it has helped him in his career as a lawyer.
As we approach the end of this year, we take time to contemplate the successes of our organization. Classical Music Indy’s President and CEO, Molly Deuberry Craft, writes that 2016 was “a notable year.” Read below to see all that CMI has achieved this year in the name of music. Happy New Year and best wishes for 2017!
We attended and performed for Celebrate Day of the Dead (Día de los Muertos) at the Eiteljorg Museum with partner Nopal Cultural this past Saturday, October 29. There’s still time to visit Nopal Cultural’s Día de los Muertos Linocut Prints and Altar Exhibition that will be on display and FREE to view through Nov. 2 in the Lilly Auditorium at the Eiteljorg Museum. Read below to learn more about Día de los Muertos and the events that happened this past Saturday. 2017 Update: The event is being held Oct 28 from 11am-5pm, learn more here.
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. This week we talked with cellist Maya Nojiri Sutherland who regularly performs with Classical Music Indy. She moved to the US to continue her music education and is currently pursuing her PhD at Indiana University Bloomington. Read Maya’s thoughts on music, life, and community below.
This week we look at musical innovation and hear from Kate Nordstrum, the Executive Producer of Special Projects for the Saint Paul Chamber Orchestra. Through her desire to offer a wider stage for experimental musical expression, she and the Saint Paul Chamber Orchestra have created a program called Liquid Music.
In honor of Classical Music Month, Classical Music Indy stepped up our efforts to connect the community to Classical Music. We brought 27 performances to Indy – that’s nearly one performance a day! Read more about our activities in September in our blog post!
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. This week we spoke with Marianne Chalmers-Talkovski, a licensed acupuncturist, about the importance of music in her life and in her work.
Orchestra musicians are often stuck in a rut when it comes to style of performances and venue. We spoke with James Ross, Director of Orchestral Activities and Professor of Conducting at the University of Maryland, about how his university is trying to change their approach to performing. Read below to learn about some of the innovations they are implementing at the University of Maryland.
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. In honor of National Hispanic Heritage month, we spoke with Camille Zamora, opera singer and founder of Sing for Hope. Music, like life, is better when we embrace more than just the familiar. You can read about Camille’s story in English or Spanish!
Concert etiquette has always been a mystery to classical newcomers. People wonder when they are allowed to clap, how much noise they should or shouldn’t make, and whether or not they are allowed to get out of their seat during the performance. There is an ongoing debate about concert etiquette–to shush or not to shush. This week, we looked at a few examples of performers shushing from the stage.
For musicians, dealing with a chronic illness can mean the end of their career. This is the story of singer Margaret Felice, a Boston vocalist whose illness caused her to lose her breath mid-performance. After major surgery and a painful healing process, Margaret was able to overcome her difficulties and come out on the other side.
This week we are featuring a wonderful local venue that was the brainchild of Mark and Carrie Ortwein, the Grove Haus. This local eclectic event space is located in Fountain Square and is the location of an upcoming event hosted by CMI, stay tuned for more info in the near future!
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. We spoke with 19 year-old, jazz saxophonist Bryan Thompson, who grew up on Indianapolis’ west side, attended Broad Ripple Magnet High School for Performing Arts and is currently attending Indiana University.
Continuing our look at education and the importance of diversity and the arts, we spoke with Bob Guffin who was responsible for taking H.L. Harshman Magnet Middle School from a failing school to a model program for student achievement. He shares with us the key tenants to culturally inclusive learning environments and why it matters.
“A Culture of Caring is not just an educational philosophy but a means of fostering an open, accepting, and inclusive environment.” Nancy Lindhjem from Children’s Resource Group Indianapolis shows us how a community member can be engaged in developing positive school culture.
On June 25, 2016, Kevin Lamont Randolph passed away. Randolph was a musician, educator, and lover of life. Kevin was involved with the Metropolitan Youth Orchestra (MYO) from its inception in 1995—first as a student, and later as the Program Coordinator. We met with Krystle Ford, Associate Director of the MYO, to learn more and share Kevin’s story.
With the warm weather comes the urge to get outside and get together. Nothing beats a warm-weather soiree with food and music, and getting your guests involved in the food preparations can add an element of fun to the mix. Elise Shrock, from Indy Food Maven, shares a few ways to keep your guests happy, fed, and included in the fun.
Our country is a melting pot of diverse people and cultures that define the breadth of music we know and enjoy in our daily lives. For this reason, CMI asked our contributor Patrick Hanley, Texas-based teacher and writer to share his thoughts about how new immigration laws are impacting music and musicians, and the ways in which our country embraces and disrupts diversity.
Summertime in Indiana is filled with outdoor concerts! Jennifer Malins, one of our contributing authors to NOTE, gives the run down on how to make healthier choices for bringing food to your favorite outdoor concert. Yum!
In recognition of Father’s Day, we spoke with members of the Indianapolis-based Urban Initiative High-5 Rally, a movement that provides positive male role models and male-run high-five rallies to encourage school success for urban students across the city.
My Music. My Story. is one of Classical Music Indy’s new initiatives to feature music, musicians, and music lovers in a fun way. In this excerpt from “I Walked Naked Through My House Today…..and So Should You,” our friends at Speak Your Story spoke with Trish Crowe about how music saved her life.