Make Music Meaningful for Children With These Expert Tips Words by Crystal Hammon If you’re teaching your kids at home for the first time, there’s a good chance you’re getting an education all your own. Learning what works with children – and what does …

Teaching Your Kids At Home? Here’s How Music Can Help. By Crystal Hammon You’d be hard pressed to find an educator – let alone a music educator – who would discourage you from listening to classical music or sharing it with a child. And with good reaso …

5 Helpful Tips for Teaching High Notes on Clarinet and Saxophone Written by Shawn Goodman As a Yamaha Performing Artist and Vandoren Artist Clinician, I typically work with many young clarinetists and saxophonists each year in sectionals and masterclas …

This year when the pandemic hit, Shawn Goodman channeled her energy into figuring out how to rehearse her jazz band online. The following information is based on her experience during the summer of 2020 rehearsing the SYO Jazz Ensemble online. “While n …

My Music. My Story. Kim Kenny. Words by Auboni Hart Kim Kenny is a singer, songwriter, vocal coach, educator and founder of Indy Urban Youth, which connects art and diversity in creative ways.  Favorite Music. Go. Kim Kenny has no solid answer because …

Rhythm & Dance Butler University’s Wind Ensemble and Department of Dance Collaborate on Rare World-Premiere by Well-Known Artists Words by Dr. Nicholas Johnson. Adapted from Classical Music Indy’s NOTE Magazine.  One of the city’s major artistic ev …

Margaret Allison Bonds is an often-unsung master of classical music. Her first-rate works blend styles of African and European origin, and her compositions for voice and piano have profoundly moved audiences. Bonds is best known for her collaborations with the great African American poet Langston Hughes. Read below about Bonds’ life, career, and musical contributions to the American classical music world.

It’s not fake news, it’s very real. This Month in Classical Music History is a series dedicated to finding stories of the good, the bad, and the downright weird. In this article, read about a Beethoven historian who blatantly made things up, the NY Phil’s Young People’s Concerts under Leonard Bernstein, and a scandalous dance scene from an opera that was so seductive, all subsequent performances were cancelled.

Here at Classical Music Indy we are thankful for our community, our generous donors, and, of course, our talented performers! We connected with several of our musicians to see what Thanksgiving traditions they have with their families. From food to family to music, each artist has their own unique Thanksgiving customs. Read below to see how Corey Denham, Bethany Daugherty, Laura Recendez, Maya Nojiri Sutherland, John Alvarado, and Jennifer Gallegos spend their Thanksgiving!

Over the summer we ran a three part series “Antidotes for Performance Anxiety” by Dr. Miranda George that focused on strategies to combat stage fright as a performer and how teachers can mitigate performance anxiety with their students. In this addendu …

Rhythm! Discovery Center is the creative vision of the Percussive Arts Society. Described as “the world’s first fully-interactive drum and percussion museum,” Rhythm! Discovery Center takes an innovative approach to experiencing the universality of rhythm and percussion. We spoke with Joshua Simonds, Executive Director of the Percussive Arts Society and Rhythm! Discovery Center, to learn more about this unique institution in Indianapolis.

Performance anxiety is an issue for numerous musicians, from beginner to veteran. With symptoms ranging from the shakes to a full blown disappearance of skill, once that ball is rolling how do you stop it? Classical Music Indy asked Dr. Miranda George, a trumpet player, vocalist, and teacher who has lectured and written about performance anxiety, to write a three part series on the topic. In Part 3 of the series, Dr. George provides guidance for teachers, conductors, and leaders of ensembles on the ways they can create an environment of performance confidence.