The Marine Corps Women’s Reserve Band (MCWRB) was active during 1943-45. This band, along with other female military ensembles, created valuable opportunities for women to perform within the military, and acted as a catalyst for performing female music …
The science behind music’s healing power is linked to its predictability and patterns, which engage the brain more fully than other forms of therapy. When you speak, for example, you only use one side of your brain, while singing employs both sides. By …
Born and raised in Indianapolis, Joshua Thompson is known for his tremendous skill as a pianist and for spearheading unique programs that highlight works by composers of African descent. Joshua Thompson: Opening Indy’s Eyes Joshua Thompson is a classic …
For over two decades, Ruth McArthur’s music conservatory provided a foundation for success among Indianapolis’ best-known musicians. Adapted from Classical Music Indy’s NOTE Magazine. The Jazz Catalyst By Kyle Long During the mid-20th century, a small …
Get ready to dance! Although an unfamiliar style to some, klezmer is a music that has an undeniable folk sound that is combined with rhythms of dance. This musical style uses instruments to imitate the laughter and/or weeping of the human voice and is most often heard during times of merriment. Read below to learn more, and to listen to some recordings at the end.
Rebecca Clarke is a name many violists know. She was an internationally acclaimed soloist, chamber musician, and composer during post-Victorian Era England. Despite a controlling and abusive father, she was able to leave her mark on the world with her musical achievements.
Margaret Allison Bonds is an often-unsung master of classical music. Her first-rate works blend styles of African and European origin, and her compositions for voice and piano have profoundly moved audiences. Bonds is best known for her collaborations with the great African American poet Langston Hughes. Read below about Bonds’ life, career, and musical contributions to the American classical music world.
This week, we kick off Women’s History Month by putting two fantastic musicians in the spotlight: Teresa Carreño, “Valkyrie of the Piano,” and Ethel Smyth, Dame Commander of the Order of the British Empire. These amazing women composed, conducted, and performed all around the globe and made dynamic contributions to the classical music world. Read below about their unique voices and careers.
Indianapolis has a robust local classical music scene, worthy of being treasured as one of our city’s defining assets. And with NOTE, Classical Music Indy aims to tell stories that will delight and surprise avid classical fans, as well as welcome those new to the world of classical music. For this first issue, we chose to feature Women in Music, to celebrate local influencers past and present that have made stunning accomplishments not only with their talent, but also with their leadership in the genre.
Indianapolis is filled with vibrant arts organizations, outstanding artists, and stellar partnerships. The Indianapolis Symphonic Choir and Butler University School of Music have teamed up to create their Conducting Fellowship which provides one-of-a-kind professional mentorship opportunities to outstanding students. Meet Dr. James Plenty, the 2016-2018 Conducting Fellow with the Indianapolis Symphonic Choir. Read about Plenty’s experience with the fellowship and what he plans to do with the skills he’s learned during his time with the ISC.
This Black History Month, we take a look at two dynamic musicians of African descent and a modern organization that is spearheading a more diverse future. Read below about the French composer who led the best orchestra in Paris, the American opera star who stunned audiences with her voice, and an organization that is creating positive change on a national scale.
For our first blog post during Black History Month, we wanted to take a look at a time in American history when the simple act of attending a classical music concert was prohibited for people of color. Renowned African-American opera baritone Robert Honeysucker, who unexpectedly died in 2017, was a student at Tougaloo College in 1963 when he decided to attend a whites-only concert in Jackson, Mississippi. His actions and the many other brave protests of the Civil Rights Movement helped to shed light on the issue of racial prejudice, but how far has classical music really come today?
For this week’s blog feature, we talked to Justin Wade, Executive Artistic Director of Young Actors Theatre, about their mission and approach to Self-Empowerment Theatre, and the role music plays in their productions. Young Actors Theatre will open two shows this weekend: Sleeping Beauty, and Twelve Dancing Princesses, at The Toby at the Indianapolis Museum of Art at Newfields.
It’s not fake news, it’s very real. This Month in Classical Music History is a series dedicated to finding stories of the good, the bad, and the downright weird. In this article, read about a Beethoven historian who blatantly made things up, the NY Phil’s Young People’s Concerts under Leonard Bernstein, and a scandalous dance scene from an opera that was so seductive, all subsequent performances were cancelled.
It’s National Mentoring Month! What better time to take a look at one of the most influential music mentors in recent history? Nadia Boulanger was an incredible educator and taught the likes of Stravinsky, Copland, and Quincy Jones out of her apartment in Paris. Read about her life and lasting impact on some of the most recognized composers of the 20th century.