November is National Native American Heritage Month, and Classical Music Indy is always looking to highlight unique projects that impact our music world. This year, we were thrilled to discover the Native American Composers Apprenticeship Project, a part of the Grand Canyon Music Festival. We spoke with Clare Hoffman, Co-Founder and Artistic Director of the festival, about how their program trains Native American students from rural Arizona to compose music.
This week Classical Music Indy continues to honor Jewish American Heritage Month by taking a look at “the most original musical thinker of our time” – Steve Reich. Over the course of his 60 year career, Reich has helped pioneer and develop American Minimalism and Postminimalism, through the innovative use of phasing and electronics. Read below about Reich’s life and how his Jewish heritage influenced his work.
Ever wondered how to improvise like a Jazz pro? For this week’s blog, Shawn Goodman shares with us her step-by-step method for teaching Jazz improvisation. Shawn Goodman is an Indianapolis Jazz musician and educator. Her method focuses on learning how …
In honor of Women’s History month, Classical Music Indy takes a look at four important figures from Classical Music history. Hildegard von Bingen, Barbara Strozzi, Fanny Hensel, and Amy Beach were all women who impacted future generations with their musicianship. Each of these four women had their own struggles during their time, but still made their voices heard. Read below to learn about each musician’s life and musical works!
There’s a subversive joy in being black and achieving excellence in a field from which black people were traditionally excluded. For black classical musicians and composers, staking a claim in the classical genre means looking up to white composers – m …
We’ve asked composer Dr. Scott Perkins to write about his experience overseas exploring Silesia, where famed composer Olivier Messiaen was a prisoner of war during World War II. Dr. Perkins writes how Nazi guards encouraged Messiaen’s continued music-making once they realized his stature. Crowds of prisoners and Nazi guards gathered to listen to performances. Messiaen found some semblance of freedom despite the captivity. He continued communicating in the language he knew best – his music.